| Category | Function | Share | Rank | Negative rate | Labels | Quadrant | Since September 2026 |
|---|---|---|---|---|---|---|---|
| Audio and podcast advertising | Marketing | 2% | 9 of 101 | 10% | 10 | accepted challenger |
| Model | First choice | Alternative | Mention | Negative | Labels |
|---|---|---|---|---|---|
| Claude Haiku 4.5 | 0 | 0 | 0 | 0 | 0 |
| GPT-5.4 mini | 1 | 0 | 0 | 0 | 1 |
| Gemini 3.5 Flash | 0 | 0 | 0 | 0 | 0 |
| Perplexity Sonar | 0 | 0 | 0 | 0 | 0 |
| Grok 4.1 Fast | 0 | 2 | 1 | 0 | 3 |
| Mistral Small | 0 | 0 | 0 | 0 | 0 |
| DeepSeek V4 Flash | 0 | 0 | 0 | 0 | 0 |
| Llama 4 Maverick | 0 | 0 | 1 | 0 | 1 |
| Qwen 3.7 Flash | 2 | 0 | 0 | 0 | 2 |
| Kimi K2 | 0 | 0 | 0 | 0 | 0 |
| GLM 4.7 FlashX | 0 | 0 | 0 | 0 | 0 |
| MiniMax M2.5 | 0 | 1 | 0 | 0 | 1 |
| GPT-6 Luna | 0 | 0 | 0 | 0 | 0 |
| Muse Glimmer 30B | 0 | 1 | 0 | 1 | 2 |
Verbatim evidence the judge attached to positive labels.
“Stick to well-known, established platforms such as: Spotify Audience Network (for Spotify-hosted shows)” Qwen 3.7 Flash · Audio advertising · negative prompt · first choice
“the most versatile and effective recommendation is the Spotify Audience Network (SAUN)” Qwen 3.7 Flash · Audio advertising · paraphrase prompt · first choice
“Choose Spotify if you want big reach + self-serve simplicity.” GPT-5.4 mini · Audio advertising · comparative prompt · first choice
“Choose Spotify if you want scale in-app, fast launch, and programmatic buying across music + podcasts.” Muse Glimmer 30B · Audio advertising · comparative prompt · alternative
Verbatim evidence attached to negative labels. A warning on a product with few labels is a warning; on a product with many, it is one voice among them.
“Drawbacks: Platform bias toward Spotify-hosted content; limited third-party podcast inventory access.” Muse Glimmer 30B · Audio advertising · negative prompt · soft negative
Citations exist only for the models that return a source list, five of the fourteen in this edition, so these counts come from 27 of the 27 answers that named Spotify Audience Network and are not a share of its labels.
Ninety-six of the 101 domain citations in answers naming Spotify Audience Network came from somebody else's page.
Pages are listed as the models cited them.
Search figures are US estimates from DataForSEO, read October 5, 2026; AI search demand is its modeled, directional estimate, not a count of queries to any assistant. The answers are this edition's. Two measurements side by side: neither is read as the cause of the other.
| Kind | Pages | Last 90 days | 2025-10 to 2026-09 | Latest | Categories named |
|---|---|---|---|---|---|
| News or press | 2,307 | 21 | 2026-09-25 | ||
| Podcast or video | 432 | 6 | 2026-09-29 | ||
| Conference or event | 9 | 1 | 2026-09-24 | ||
| Webinar or virtual event | 4 | 0 | 2026-05-21 | ||
| Case study | 2 | 0 | 2026-01-08 | ||
| Template or tool | 2 | undated | |||
| Report or ebook | 1 | undated | |||
| Glossary or explainer | 1 | undated |
Every page spotify.com exposes, subdomains included. Kind is read from the address and title. The last 90 days, the latest date and the twelve months count pages by when they were published, from the site's feeds, a date in the address, or the page's own publication date, read from up to a hundred of its most recently changed pages; a page that says only when it last changed is counted in its kind but not in when, so the recent counts are a floor, and a kind none of whose pages gives a publication date reads undated. An event counts as online when its address or title says so (webinar, on demand, virtual or online summit); a conference, summit, trade show, expo or roadshow that does not say so is counted as a conference or event, which on a vendor's site is mostly in person. Read September 29, 2026.
An email the morning each edition publishes: where this product moved, where it held, and by how much against the noise floor. One address, confirmed by a click; a stop link in every email.
Already following? Everything you follow, with a stop for each.
Claiming is free and changes nothing in the data. A claimed page shows a verified contact who is told when each edition publishes and when Spotify Audience Network's standing changes by more than the noise floor; the right to propose corrections to the vendor table, meaning names the judge wrote that should or should not read as Spotify Audience Network, applied by version and listed in the change log; and a one-line description supplied by the vendor and marked as such.
A new claim receives the current edition's vendor brief for Spotify Audience Network by email, built from the raw record of the edition. It shows: